Sketches
Here are a few examples of the difference between my initial sketch and finished piece. My first sketches are very loose and messy. I usually just try to get the idea down on paper in an interesting composition. Below are my sketches for the SCBWI Contest, Old School, New Year. I was trying to decide what composition I wanted, how to show this little girl getting ready for a new, exciting year. I decided to go with the top drawing of the school bus with something special in her backpack.
From this loose sketch, I go directly to my watercolor paper, adding in details and quirks as I go. So, the final piece only resembles the sketch very slightly.
here is the school bus final piece....
Some drawings pop into my head mostly composed but I usually need to get the idea on paper before it flies away. Here is my sketch of Gladys for Illustration Friday's Reflection. I wanted to show someone letting loose, singing in front of a mirror. I had the idea of an older lady singing bopping around my skull for some time, but I was imagining her on stage, this was much more fun. :) The sketch:
I just tightened the composition on this one and decided to not include her furry singing partner. When I start painting, I try to stay loose and try interesting color combos. Here is the finished piece:
Some sketches don't click, so I keep thinking. I've found that if I force myself to sit still and try to force a sketch, it doesn't work. I usually let it dance in my head for a bit, letting it grow on its own. Once I feel the glimmer of a composition, I sketch it quickly and when I'm happy with the composition I go to the Watercolor Block and start drawing.
From this loose sketch, I go directly to my watercolor paper, adding in details and quirks as I go. So, the final piece only resembles the sketch very slightly.
here is the school bus final piece....
Some drawings pop into my head mostly composed but I usually need to get the idea on paper before it flies away. Here is my sketch of Gladys for Illustration Friday's Reflection. I wanted to show someone letting loose, singing in front of a mirror. I had the idea of an older lady singing bopping around my skull for some time, but I was imagining her on stage, this was much more fun. :) The sketch:
I just tightened the composition on this one and decided to not include her furry singing partner. When I start painting, I try to stay loose and try interesting color combos. Here is the finished piece:
Some sketches don't click, so I keep thinking. I've found that if I force myself to sit still and try to force a sketch, it doesn't work. I usually let it dance in my head for a bit, letting it grow on its own. Once I feel the glimmer of a composition, I sketch it quickly and when I'm happy with the composition I go to the Watercolor Block and start drawing.
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1 Comments:
Hi Courtney... finally got a chance to visit again. Read the post about the "rejections", and yeah, I agree that the reason it feels so personal is because the work is essentially "yourself". Each drawing/painting, especially the ones we work on for an extended period (be it hours or days) is like our child. Our creation. No one can create exactly as you create.
"Chance is always powerful. Let your hook be always cast; in the pool where you least expect it, there will be a fish."
-OVID
It's going to happen for you. You are closer to it than you were last year, last month, even yesterday!
I'm rootin' for ya!
PS: Do you ever watch Sat Nite Live? Do you remember the character "Stuart Smalley"? He was a talk show host of a program about daily affirmations... his tag line was: "I'm good enough, I'm smart enough, and DAMMIT! People like me!"
Pathetically, I say this to myself every now and then. It actually helps! (hee-hee!)
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